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文人創作與明代話本的文人化
Author(s)
Date Issued
2001
Journal
ISSN
1000-7504
Citation
求是學刊, 2001, 第5期, 頁80-86.
Type
Peer Reviewed Journal Article
Abstract
明中葉以後隨著文人走入話本創作領域明代話本呈現明顯的文人化趨向.文人作家將科舉考試文人發跡文人與官吏的衝突才子佳人的戀情都寫進了話本小說中.文人作家將話語本體改造得更加規範與典雅題目均用工整的對偶入話的功能發生了變化正話中韻文大量刪減這些都滲透了文人的審美意識與文化素養.話本的文人化大體經歷了三個階段:宋元時期話本主要反映市民的生活與思想;“三言二拍”時期文人題材與市民題材平分秋色市民已打上文人烙印;“三言二拍”之後話本主要反映文人的生活與思想.
After the mid-Ming, with literati’s involvement in its creation, Huaben （popular fiction in colloquial style） featured noticeable tendency of literati stylization. Literati writers produced Huaben with accounts of Keju examination, literati gaining fame and fortune, conflicts between literati and feudal officers and romance between gifted scholars and pretty ladies. Literati writer made the structure and style of Huaben much more formal and elegant: titles all adopted neat antithesis; the function of opening words of Huaben had been changed; verse in the main body was greatly reduced and deleted. All these showed literati’s aesthetic standards and cultural attainments. The development of literati stylization of Huaben generally experienced three periods: during the Song and Yuan periods, Huaben reflected the living and the thinking of common people; during the period of Sanyanliangpai （Collections of Selected Five Huaben）, literati subject and the subject of common people had equal shares but the subject of common people had been marked with literati’s brand; after that, Huaben mainly reflected literati’s living and thinking.
After the mid-Ming, with literati’s involvement in its creation, Huaben （popular fiction in colloquial style） featured noticeable tendency of literati stylization. Literati writers produced Huaben with accounts of Keju examination, literati gaining fame and fortune, conflicts between literati and feudal officers and romance between gifted scholars and pretty ladies. Literati writer made the structure and style of Huaben much more formal and elegant: titles all adopted neat antithesis; the function of opening words of Huaben had been changed; verse in the main body was greatly reduced and deleted. All these showed literati’s aesthetic standards and cultural attainments. The development of literati stylization of Huaben generally experienced three periods: during the Song and Yuan periods, Huaben reflected the living and the thinking of common people; during the period of Sanyanliangpai （Collections of Selected Five Huaben）, literati subject and the subject of common people had equal shares but the subject of common people had been marked with literati’s brand; after that, Huaben mainly reflected literati’s living and thinking.
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