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論初盛唐詩人的感興觀
Author(s)
Date Issued
2002
Journal
ISSN
1672-8106
Citation
北京交通大學學報(社會科學版), 2002, 第2期, 頁70-73, 79.
Type
Peer Reviewed Journal Article
Abstract
初盛唐詩人的感興觀有三大特徵即普遍性個性化辨識性.普遍性是指感興觀在這段時期非常盛行幾乎所有善於寫詩的作家都把感興視為創作活動的基礎.個性化是指初盛唐詩人的感興觀與創作主體的性情人生價值取向以及生平遭際有著明顯的連結呈現出鮮明的個性色彩.辨證性則是針對感興之自然與構思之經營的關係而言詩人們往往才情性靈和功力苦思並重使感興觀成為唐代意境論的重要組成部分.
In the early and heyday Tang Dynasty the poet’s view of the urge for poetic creation reveals three characteristics: universality individuation and dialecticity.Universality refers to the fact that most poets of the time believed that creative impulse was very essential to their poetic composition.Individuation means that the poet’s creative impulse was very closely related to his temperament individual values and experiences and thus very much personalized.Dialecticity includes the interaction between the poet’s creative spontaneity and his practice of poetic composition that is the combination of his ability and sensibility with his literary meditation and craftsmanship.
In the early and heyday Tang Dynasty the poet’s view of the urge for poetic creation reveals three characteristics: universality individuation and dialecticity.Universality refers to the fact that most poets of the time believed that creative impulse was very essential to their poetic composition.Individuation means that the poet’s creative impulse was very closely related to his temperament individual values and experiences and thus very much personalized.Dialecticity includes the interaction between the poet’s creative spontaneity and his practice of poetic composition that is the combination of his ability and sensibility with his literary meditation and craftsmanship.
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