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劉勰《文心雕龍》之"伏釆"說
Author(s)
Date Issued
2007
Journal
ISSN
1671-6132
Citation
南陽師範學院學報, 2007, 第5期, 頁50-55.
Type
Peer Reviewed Journal Article
Abstract
隱秀觀是劉勰文心雕龍中的重要美學思想, 與此相關的伏採說, 同樣具有不可忽視的理論意
義.透過考察資料及其具體的名家名篇, 可以發現: 劉勰的伏採觀念是一種不同於時俗的語言審美觀, 主
要指作品的內在藝術匠心, 而非通常所理解的外在的語言修辭層面的文辭麗藻.充分重視這種觀念, 對理解文
心雕龍中的有關思想及具體評論的深層意義, 有著重要的意義.這種以伏採為美的文學思想, 對當時的文壇
主流意識而言, 具有一定的超越性, 在古代文學美學觀念發展史上, 有其重要的作用.
As an important concept in Wenxindiaolong relative with Fucai. It has an important theory meaning Liuxie, Fucai delegated the specially aesthetical idea of language though review some data and excellent works.It had something to do with the worker’s craftsmanship, and was different from the commonly flowery language. The Fucai theory had some transent to the mainstream theories at that time.It plays an important role in the development history of ancient literature aesthetical idea.
As an important concept in Wenxindiaolong relative with Fucai. It has an important theory meaning Liuxie, Fucai delegated the specially aesthetical idea of language though review some data and excellent works.It had something to do with the worker’s craftsmanship, and was different from the commonly flowery language. The Fucai theory had some transent to the mainstream theories at that time.It plays an important role in the development history of ancient literature aesthetical idea.
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