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“Un théâtre d’intervention”: Two Congolese adaptations of Shakespeare
Author(s)
Date Issued
2017
Type
Other Article
Abstract
This paper discusses two post-colonial adaptations of Shakespeare by playwrights from the Republic of Congo. The Hamlet adaptation focuses on Gertrude as a product of forced marriage and the role of spirits in Kongo society. The adaptation of Romeo and Juliet is a radical re-working of the tragedy to highlight the political and violent nature of the post-independence African society.
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