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從創作主體看中國古代白話小說的嬗變
Author(s)
Date Issued
2010
Journal
ISSN
10012893
Citation
中國古代 近代文學研究, 2010年, 第12期.
Type
Peer Reviewed Journal Article
Abstract
從創作主體的角度看,中國古代白話小說大體經過了三個階段,呈現出不同的嬗變特徵:宋元時期是說話藝人講述,文人或書坊主記錄整理階段,宋元話本較多反映市民的生活與情感,按時序講述一些充滿奇異色彩的故事;階段,作家喜愛選取那些創作基礎較好的重大題材進行再創作,其思想觀念大多來源於前人作品與歷史積澱,其中章回小說往往採用"綴玉式結構";明末至清中葉時期,文人作家開始獨立創作白話小說,作家從自己的人生經歷中取材,寫熟悉的人物和發生在身邊的人筆下真實和發生在現實事件中的人筆下.
Ancient China's colloquial stories underwent three stages in the perspective of author.In the Song and Yuan dynasties,the story was told by the story-teller and improved by literary men,which was full of the urban life and feelings as well as fantastic colors.From the end of the Yuan dynasty to the middle of the Ming dynasty,literary men rewrote some stories on the basis of historical books,drama characters and plots,whose ideas mostly came from the former works and history.From the end of the Ming dynasty to the middle of the Qing dynasty,literary writers began to write their own stories from their own life experiences,whose events and characters were as real as those in reality.
Ancient China's colloquial stories underwent three stages in the perspective of author.In the Song and Yuan dynasties,the story was told by the story-teller and improved by literary men,which was full of the urban life and feelings as well as fantastic colors.From the end of the Yuan dynasty to the middle of the Ming dynasty,literary men rewrote some stories on the basis of historical books,drama characters and plots,whose ideas mostly came from the former works and history.From the end of the Ming dynasty to the middle of the Qing dynasty,literary writers began to write their own stories from their own life experiences,whose events and characters were as real as those in reality.
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