Please use this identifier to cite or link to this item:
http://hdl.handle.net/20.500.11861/9248| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | 傅承洲教授 | en_US |
| dc.date.accessioned | 2024-03-28T06:34:20Z | - |
| dc.date.available | 2024-03-28T06:34:20Z | - |
| dc.date.issued | 2009 | - |
| dc.identifier.citation | 舞台藝術, 2009年, 第3期. | en_US |
| dc.identifier.uri | http://hdl.handle.net/20.500.11861/9248 | - |
| dc.language.iso | zh_CN | en_US |
| dc.relation.ispartof | 舞台藝術 | en_US |
| dc.title | 李漁的無聲戲理論與話本的戲劇化特徵 | en_US |
| dc.type | Peer Reviewed Journal Article | en_US |
| item.fulltext | No Fulltext | - |
| crisitem.author.dept | Department of Chinese Language and Literature | - |
| Appears in Collections: | Chinese Language & Literature - Publication | |
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