Please use this identifier to cite or link to this item:
http://hdl.handle.net/20.500.11861/9234| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | 黃君良博士 | en_US |
| dc.date.accessioned | 2024-03-27T06:53:38Z | - |
| dc.date.available | 2024-03-27T06:53:38Z | - |
| dc.date.issued | 1991 | - |
| dc.identifier.citation | 管子學刊, 1991年, 第2期, 第70-72頁. | en_US |
| dc.identifier.issn | 1002-3828 | - |
| dc.identifier.uri | file:///C:/Users/libsltse/Downloads/%E5%85%88%E7%A7%A6%E5%84%92%E5%AD%A6%E4%BA%BA%E7%94%9F%E8%89%BA%E6%9C%AF%E5%8C%96%E4%B9%8B%E7%90%86%E8%AE%BA%E5%9F%BA%E7%A1%80%E5%BC%95%E8%AE%BA_%E9%BB%84%E5%90%9B%E8%89%AF%20(3).pdf | - |
| dc.identifier.uri | http://hdl.handle.net/20.500.11861/9234 | - |
| dc.description.abstract | 如果打比喻說宇宙是個舞台,那麼,人類便是這個舞台中的角色. 演員不僅要明白自己角色對全劇的重要性,而且要全情溶注於舞台,欣賞它 喜愛它並且樂於在其背景下完成一己之責任.這譬喻可揭示人生藝術化的命題是關乎人內在的小宇宙跟自然界的大宇宙的關係.小宇宙是人的心靈,它是一切認識 價值的來源;大宇宙是客觀存在的無際星空,它是主觀意志艙外化型態. | en_US |
| dc.language.iso | zh | en_US |
| dc.relation.ispartof | 管子學刊=Guanzi Journal | en_US |
| dc.title | 先秦儒學人生藝術化之理論基礎引論 | en_US |
| dc.type | Peer Reviewed Journal Article | en_US |
| dc.identifier.doi | 10.19321/j.cnki.gzxk.1991.02.016 | - |
| item.fulltext | No Fulltext | - |
| crisitem.author.dept | Department of Chinese Language and Literature | - |
| Appears in Collections: | Chinese Language & Literature - Publication | |
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