Please use this identifier to cite or link to this item:
http://hdl.handle.net/20.500.11861/8344| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | 何祥榮教授 | en_US |
| dc.date.accessioned | 2023-10-24T03:08:17Z | - |
| dc.date.available | 2023-10-24T03:08:17Z | - |
| dc.date.issued | 2022 | - |
| dc.identifier.citation | 文化學刊, 2022年, 第4期, 第226-229頁. | en_US |
| dc.identifier.issn | 1673-7725 | - |
| dc.identifier.uri | http://hdl.handle.net/20.500.11861/8344 | - |
| dc.description.abstract | 楚辭招魂是一篇情辭並茂,藝術價值甚高的佳作.遊國恩先生曾指出招魂是楚辭中最具條理層次分明的一篇,兼且對漢賦有一定的影響,他說:"後來司馬 相如大人賦…便是他的摹仿者."到底招魂的藝術書寫有何特徵?對漢賦有什麼影響?這在過去的楚辭研究中是較少涉及的.本文即從這兩個方向 做出一些探究,以求解答這些問題. | en_US |
| dc.language.iso | zh_CN | en_US |
| dc.relation.ispartof | 文化學刊=Culture Journal | en_US |
| dc.title | 論《楚辭·招魂》的書寫藝術對西漢辭賦之影響 - 以枚乘、司馬相如為例 | en_US |
| dc.title.alternative | 論 楚辭 招魂 的書寫藝術對西漢辭賦之影響 - 以枚乘 司馬相如為例 | en_US |
| dc.type | Peer Reviewed Journal Article | en_US |
| item.fulltext | No Fulltext | - |
| crisitem.author.dept | Department of Chinese Language and Literature | - |
| Appears in Collections: | Chinese Language & Literature - Publication | |
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