Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.11861/7916
DC FieldValueLanguage
dc.contributor.authorDr. NG Ni Na, Camelliaen_US
dc.date.accessioned2023-05-31T09:45:04Z-
dc.date.available2023-05-31T09:45:04Z-
dc.date.issued2021-
dc.identifier.citationMuseum Worlds, 2021, vol. 9(1), pp. 185-189.en_US
dc.identifier.issn2049-6737-
dc.identifier.issn2049-6729-
dc.identifier.urihttp://hdl.handle.net/20.500.11861/7916-
dc.description.abstractVegetation and Universe: The Collection of Flower and Bird Paintings is a permanent exhibition at the Zhejiang Provincial Museum displaying more than seventy paintings from China’s Ming (1368–1644) and Qing Dynasties (1644–1912) to modern times (see Figure 1). Regardless of the painters’ region and fame, the paintings are listed chronologically: from mid-Ming painter Zhou Zhimian, late-Ming painters Wang Duo, Yang Wencong, and Chen Hongshou, Qing painters Mei Qing, Wang Shishen, Jin Nong, Luo Ping, Hang Shijun, Li Fangying, Qian Du, Zhu Weibi, Tang Yifen, Qian Zai, and He Shaoji, to modern times with Chen Chongguang, Huang Binhong, Yu Shaosong and so on. There are even painters such as Gu Shiqi, Wang Qi, and Tong Dan, whose works are rarely exhibited in other Chinese museums.en_US
dc.language.isoenen_US
dc.relation.ispartofMuseum Worldsen_US
dc.titleVegetation and Universe: The Collection of Flower and Bird Paintingsen_US
dc.typePeer Reviewed Journal Articleen_US
item.fulltextNo Fulltext-
crisitem.author.deptDepartment of Sociology-
Appears in Collections:Sociology - Publication
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