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http://hdl.handle.net/20.500.11861/7019
Title: | 嵇康音樂審美主體觀發微 |
Authors: | 陳允鋒教授 |
Issue Date: | 1994 |
Source: | 中央音樂學院學報, 1994, 第3期. |
Journal: | 中央音樂學院學報 |
Abstract: | 嵇康音乐审美主体观发微陈允锋引言嵇康《声无哀乐论》(以下简称《声论》)在中国古代美学思想史上的重要理论贡献之一,就是比较深刻地阐明了音乐艺术的特殊审美规律。他既赋予音乐艺术以绝对独立的品格,又突出地强调了音乐审美主体的地位和作用。这些观念,对魏晋以后... |
Type: | Peer Reviewed Journal Article |
URI: | http://hdl.handle.net/20.500.11861/7019 |
ISSN: | 1001-9871 |
Appears in Collections: | Chinese Language & Literature - Publication |
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