Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.11861/7003
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dc.contributor.author陳允鋒教授en_US
dc.date.accessioned2022-04-09T05:47:11Z-
dc.date.available2022-04-09T05:47:11Z-
dc.date.issued2004-
dc.identifier.citation寧夏大學學報(人文社會科學版), 2004, 第4期, 頁55-59.en_US
dc.identifier.issn1001-5744-
dc.identifier.urihttp://hdl.handle.net/20.500.11861/7003-
dc.description.abstract以往人们大多认为白居易的讽谕诗不具有可歌性 ,但相关资料表明 ,白居易的讽谕诗创作具有非常明确的入乐意识 ,并形成了以“诗乐合一”为特征的诗学思想。充分认识这一点 ,对重新解读白居易《与元九书》、揭示其中所包含的独特诗学观具有重要意义。同时 ,重视诗歌入乐的创作追求 ,对白居易讽谕诗审美特征的形成也有不可忽略的制约作用。en_US
dc.language.isozh_CNen_US
dc.relation.ispartof寧夏大學學報(人文社會科學版)en_US
dc.title詩樂合一觀與白居易的諷諭詩創作en_US
dc.typePeer Reviewed Journal Articleen_US
item.fulltextNo Fulltext-
crisitem.author.deptDepartment of Chinese Language and Literature-
Appears in Collections:Chinese Language & Literature - Publication
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