Please use this identifier to cite or link to this item:
http://hdl.handle.net/20.500.11861/7003| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | 陳允鋒教授 | en_US |
| dc.date.accessioned | 2022-04-09T05:47:11Z | - |
| dc.date.available | 2022-04-09T05:47:11Z | - |
| dc.date.issued | 2004 | - |
| dc.identifier.citation | 寧夏大學學報(人文社會科學版), 2004, 第4期, 頁55-59. | en_US |
| dc.identifier.issn | 1001-5744 | - |
| dc.identifier.uri | http://hdl.handle.net/20.500.11861/7003 | - |
| dc.description.abstract | 以往人们大多认为白居易的讽谕诗不具有可歌性 ,但相关资料表明 ,白居易的讽谕诗创作具有非常明确的入乐意识 ,并形成了以“诗乐合一”为特征的诗学思想。充分认识这一点 ,对重新解读白居易《与元九书》、揭示其中所包含的独特诗学观具有重要意义。同时 ,重视诗歌入乐的创作追求 ,对白居易讽谕诗审美特征的形成也有不可忽略的制约作用。 | en_US |
| dc.language.iso | zh_CN | en_US |
| dc.relation.ispartof | 寧夏大學學報(人文社會科學版) | en_US |
| dc.title | 詩樂合一觀與白居易的諷諭詩創作 | en_US |
| dc.type | Peer Reviewed Journal Article | en_US |
| item.fulltext | No Fulltext | - |
| crisitem.author.dept | Department of Chinese Language and Literature | - |
| Appears in Collections: | Chinese Language & Literature - Publication | |
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