Please use this identifier to cite or link to this item:
http://hdl.handle.net/20.500.11861/6239| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Prof. WEI Chuxiong | en_US |
| dc.contributor.author | Wang, Yunyu | en_US |
| dc.date.accessioned | 2021-02-08T07:02:47Z | - |
| dc.date.available | 2021-02-08T07:02:47Z | - |
| dc.date.issued | 2009 | - |
| dc.identifier.citation | HAGAR Studies in Culture, Policy and Identities, 2009, vol. 9(1), pp. 147-173. | en_US |
| dc.identifier.uri | http://hdl.handle.net/20.500.11861/6239 | - |
| dc.language.iso | en | en_US |
| dc.relation.ispartof | HAGAR Studies in Culture, Policy and Identities | en_US |
| dc.title | From cultural nationalism to transnational and personal arts: The role of dancers and women in the reconstruction of the Taiwanese identity | en_US |
| dc.type | Peer Reviewed Journal Article | en_US |
| crisitem.author.dept | Department of History | - |
| item.fulltext | No Fulltext | - |
| Appears in Collections: | History - Publication | |
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