Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.11861/5214
DC FieldValueLanguage
dc.contributor.authorProf. HUI Yew-Foongen_US
dc.date.accessioned2018-06-04T07:02:28Z-
dc.date.available2018-06-04T07:02:28Z-
dc.date.issued2017-
dc.identifier.citationInternational Journal of Cultural Studies, Mar 2017, vol. 20(2), pp. 146-161.en_US
dc.identifier.issn1367-8779-
dc.identifier.urihttp://hdl.handle.net/20.500.11861/5214-
dc.description.abstractThis article is an ethnographic exploration of the Umbrella Movement that occupied and re-spatialized the arterial streets of Hong Kong in late 2014. It examines how communities made up of hamlets of tent-dwelling demonstrators evolved, in particular, out of the Admiralty occupied area. Through a sense of communitas exercised among these communities, occupied areas were infused with ‘pure potentiality’ and transformed into liminoid spaces. As a result, the previously undifferentiated space of roads took on new meanings and was redefined to facilitate the discursive needs of these communities. Such transformation of space also reveals the tonality of life among the communities, and how they relate to each other through the moral idiom of care. While short-lived, the communal re-spatialization of the Umbrella Movement articulated images of a utopian Hong Kong as well as a critique of Hong Kong’s political plight, often through irony and humor.en_US
dc.language.isoenen_US
dc.relation.ispartofInternational Journal of Cultural Studiesen_US
dc.titleThe umbrella movement: Ethnographic explorations of communal re-spatializationen_US
dc.typePeer Reviewed Journal Articleen_US
dc.identifier.doi10.1177/1367877916683822-
item.fulltextNo Fulltext-
crisitem.author.deptUniversity Management-
Appears in Collections:Sociology - Publication
Show simple item record

SCOPUSTM   
Citations

5
checked on Nov 17, 2024

Page view(s)

157
Last Week
0
Last month
checked on Dec 4, 2024

Google ScholarTM

Impact Indices

Altmetric

PlumX

Metrics


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.