Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.11861/5198
DC FieldValueLanguage
dc.contributor.authorDr. CHEUNG Siu-Keungen_US
dc.date.accessioned2018-05-25T07:22:45Z-
dc.date.available2018-05-25T07:22:45Z-
dc.date.issued2017-
dc.identifier.citationSocial Transformations in Chinese Societies, 2017, vol. 13(2), pp. 106-117.en_US
dc.identifier.issn1871-2673-
dc.identifier.urihttp://hdl.handle.net/20.500.11861/5198-
dc.language.isoenen_US
dc.publisherEmerald Publishing Limiteden_US
dc.relation.ispartofSocial Transformations in Chinese Societiesen_US
dc.titleFrom transnational to Chinese national?: A new in-betweenness of Hong Kong cinema in the postcolonial politics of disappearanceen_US
dc.typePeer Reviewed Journal Articleen_US
dc.identifier.doi10.1108/STICS-04-2017-0009-
dc.identifier.volume13-
dc.identifier.issue2-
dc.identifier.spage106-
item.fulltextNo Fulltext-
crisitem.author.deptUniversity Management-
Appears in Collections:Sociology - Publication
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