Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.11861/5131
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dc.contributor.author張高評教授en_US
dc.date.accessioned2018-04-30T03:37:55Z-
dc.date.available2018-04-30T03:37:55Z-
dc.date.issued2009-
dc.identifier.citation文與哲, 2009, 第14期, 頁121-158.en_US
dc.identifier.issn1728-7138-
dc.identifier.urihttp://hdl.handle.net/20.500.11861/5131-
dc.description.abstract《昭昧詹言》論詩,主張避熟脫凡,追求自家面目;倡導命意深遠,措詞新奇,而歸本於創意造語。又凸出「以驚創為奇」,「著意與人遠」之山谷詩風,已暗合陌生化、獨創性之詩歌語言標準。且方東樹於《昭昧詹言》中,再三標榜深、遠、創、造、生、新、變、奇諸美感效益,亦與創造思維之開放、通變、獨創、新穎諸特質異曲同工。此種創造思維之發用,主張「詞必己出,不隨人作計」,得自韓愈、黃庭堅之啟迪;而「空無依傍,盡脫谿徑之外」,近東坡詩風。其他出入唐宋之詩話,本文亦略加稱引述說,期能發微闡幽,而有助於宋詩特色之鉤勒。乾嘉詩話對宋詩特色或正或反之闡釋,將有助於宋詩與宋調文學史地位之公允評價。繆鉞「唐宋詩異同」,錢鍾書「詩分唐宋」說,將因此而獲得更有力之佐證。en_US
dc.language.isozhen_US
dc.relation.ispartof文與哲en_US
dc.title方東樹《昭昧詹言》論創意與造語 -- 兼論宋詩之獨創性與陌生化en_US
dc.typePeer Reviewed Journal Articleen_US
crisitem.author.deptDepartment of Chinese Language & Literature-
dc.identifier.volume14-
dc.identifier.spage121-
item.fulltextNo Fulltext-
Appears in Collections:Chinese Language & Literature - Publication
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