Please use this identifier to cite or link to this item:
http://hdl.handle.net/20.500.11861/4497
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 何祥榮教授 | en_US |
dc.date.accessioned | 2017-10-11T07:29:25Z | - |
dc.date.available | 2017-10-11T07:29:25Z | - |
dc.date.issued | 2007 | - |
dc.identifier.citation | 在中國學研究. 第十輯 (2007) (頁71-83). 濟南出版社 | en_US |
dc.identifier.isbn | 9787807104766 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.11861/4497 | - |
dc.description.abstract | 南朝是駢文最盛行的時代,以駢體形式記述行旅的作品為數也不少。南朝已進入藝術自覺時代,駢文的創作也包含多方面的藝術追求。駢文的主要特點是藝術風格與形式並重。因此,南朝記遊駢文也呈現多樣的藝術風格與工巧的藝術形式。例如去飾取素的自然美、綺麗的雕飾、悒郁蒼涼的抒情、舖張揚厲的壯美、短小精巧的柔美等。本文旨在通過對南朝駢文的考察,探究其時記遊駢文的藝術特徵。 | en_US |
dc.language.iso | zh | en_US |
dc.publisher | 濟南出版社 | en_US |
dc.title | 南朝記遊駢文的藝術追求 | en_US |
dc.type | Book Chapter | en_US |
item.fulltext | No Fulltext | - |
crisitem.author.dept | Department of Chinese Language and Literature | - |
Appears in Collections: | Chinese Language & Literature - Publication |
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