Please use this identifier to cite or link to this item:
http://hdl.handle.net/20.500.11861/4464| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | 何祥榮教授 | en_US |
| dc.date.accessioned | 2017-09-15T07:16:42Z | - |
| dc.date.available | 2017-09-15T07:16:42Z | - |
| dc.date.issued | 2014 | - |
| dc.identifier.citation | 廣西師範大學學報．哲學社會科學版, 6/2014, 第50卷, 第3期, 頁100-112. | en_US |
| dc.identifier.issn | 1001-6597 | - |
| dc.identifier.uri | http://hdl.handle.net/20.500.11861/4464 | - |
| dc.description.abstract | 南北朝是中國駢文發展史上的黃金時期，然而過去的駢文研究多着眼於南朝或北朝後期，對於北朝的前期 -- 北魏的發展注意較少，尚未深入。就宏觀而言，北魏駢文發展可分為前後兩期﹔前期是北朝駢文的形成期，後期是演進期。北魏駢文經歷了前期初創的稚嫩階段，逐步走向成熟，促成北朝後期駢文的繁興，亦為南北文風的融合起着重要作用。 | en_US |
| dc.language.iso | zh | en_US |
| dc.relation.ispartof | 廣西師範大學學報．哲學社會科學版 | en_US |
| dc.title | 北魏駢文藝術的流變 | en_US |
| dc.type | Peer Reviewed Journal Article | en_US |
| item.fulltext | With Fulltext | - |
| crisitem.author.dept | Department of Chinese Language and Literature | - |
| Appears in Collections: | Chinese Language & Literature - Publication | |
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