Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.11861/4233
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dc.contributor.author何祥榮教授en_US
dc.date.accessioned2017-07-17T08:51:26Z-
dc.date.available2017-07-17T08:51:26Z-
dc.date.issued2005-
dc.identifier.citation樹仁學報, Jan 2005, no. 3, pp. 38-51.en_US
dc.identifier.isbn9628719467-
dc.identifier.urihttp://hdl.handle.net/20.500.11861/4233-
dc.description.abstract元嘉三大家的文學成就前人早已有高度的評價。但在過去文學史的研究中,較為忽視把三者放在縱向的線索中,考究他們對南朝文風發展的影響。綜言之,三大家建立了各自的藝術風格,並開出了南朝文風發展的三大路向,即雕飾美、自然美與蒼涼之美。en_US
dc.language.isozhen_US
dc.publisher香港: 香港樹仁學院en_US
dc.relation.ispartof樹仁學報 = Shue Yan Academic Journalen_US
dc.title元嘉三大家與南朝文風的開拓en_US
dc.typePeer Reviewed Journal Articleen_US
item.fulltextNo Fulltext-
crisitem.author.deptDepartment of Chinese Language and Literature-
Appears in Collections:Chinese Language & Literature - Publication
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