Please use this identifier to cite or link to this item:
http://hdl.handle.net/20.500.11861/4233
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 何祥榮教授 | en_US |
dc.date.accessioned | 2017-07-17T08:51:26Z | - |
dc.date.available | 2017-07-17T08:51:26Z | - |
dc.date.issued | 2005 | - |
dc.identifier.citation | 樹仁學報, Jan 2005, no. 3, pp. 38-51. | en_US |
dc.identifier.isbn | 9628719467 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.11861/4233 | - |
dc.description.abstract | 元嘉三大家的文學成就前人早已有高度的評價。但在過去文學史的研究中,較為忽視把三者放在縱向的線索中,考究他們對南朝文風發展的影響。綜言之,三大家建立了各自的藝術風格,並開出了南朝文風發展的三大路向,即雕飾美、自然美與蒼涼之美。 | en_US |
dc.language.iso | zh | en_US |
dc.publisher | 香港: 香港樹仁學院 | en_US |
dc.relation.ispartof | 樹仁學報 = Shue Yan Academic Journal | en_US |
dc.title | 元嘉三大家與南朝文風的開拓 | en_US |
dc.type | Peer Reviewed Journal Article | en_US |
item.fulltext | No Fulltext | - |
crisitem.author.dept | Department of Chinese Language and Literature | - |
Appears in Collections: | Chinese Language & Literature - Publication |
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