Please use this identifier to cite or link to this item:
http://hdl.handle.net/20.500.11861/3844
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Dr. CHEUNG Siu-Keung | en_US |
dc.date.accessioned | 2017-01-21T07:10:30Z | - |
dc.date.available | 2017-01-21T07:10:30Z | - |
dc.date.issued | 2016 | - |
dc.identifier.citation | In Kolluri, S. & Lee, J. T. H. (Eds.). Hong Kong and Bollywood: Globalization of Asian cinemas, (pp. 105-118). New York: Palgrave Macmillan, 2016. | en_US |
dc.identifier.isbn | 9781349949311 | - |
dc.identifier.uri | http://hdl.handle.net/20.500.11861/3844 | - |
dc.description | Free online book | en_US |
dc.language.iso | en | en_US |
dc.publisher | New York: Palgrave Macmillan | en_US |
dc.relation.ispartofseries | Global cinema; | - |
dc.subject | Dazhonghua (Greater China) | en_US |
dc.title | 1911: Cinematic contradictions of greater China | en_US |
dc.type | Book Chapter | en_US |
item.fulltext | No Fulltext | - |
crisitem.author.dept | University Management | - |
Appears in Collections: | Sociology - Publication |
Page view(s)
184
Last Week
1
1
Last month
checked on Nov 21, 2024
Google ScholarTM
Impact Indices
PlumX
Metrics
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.