Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.11861/2226
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dc.contributor.author曾寶妍-
dc.date.accessioned2012-09-21T06:38:10Z-
dc.date.available2012-09-21T06:38:10Z-
dc.date.issued2011en
dc.identifier.urihttp://hdl.handle.net/20.500.11861/2226-
dc.description香港樹仁大學. 中國語言文學系.-
dc.descriptionTitle from cover.en
dc.descriptionThesis (B.A.) -- Hong Kong Shue Yan University, 2011.en
dc.descriptionIncludes bibliographical references (leaves 41-42)en
dc.description42 leavesen
dc.description.sponsorshipDepartment of Chinese Language & Literature-
dc.language.isochien
dc.subject.lcsh劉勰, ca. 465-ca. 522. 文心雕龍.en
dc.subject.lcshPainting, Chinese Three kingdoms-Sui dynasty, 220-618.en
dc.subject.lcshArt, Chinese Philosophy.en
dc.subject.lcshChinese literature History and criticism Theory, etc.en
dc.title論六朝繪畫理論與《文心雕龍》文學理論的關係en
dc.typeThesis-
dc.type.dcmitypeTexten
crisitem.author.deptDepartment of Chinese Language & Literature-
crisitem.author.facultyFaculty of Arts-
dc.description.thesisnameBachelor of Arts in Chinese Language & Literature-
dc.description.thesislevelDegree-
dc.description.thesisdisciplineChinese Language & Literature-
item.fulltextWith Fulltext-
Appears in Collections:Chinese Language & Literature - Theses
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