Please use this identifier to cite or link to this item: http://hdl.handle.net/20.500.11861/10034
DC FieldValueLanguage
dc.contributor.author林援森博士en_US
dc.date.accessioned2024-05-23T02:22:14Z-
dc.date.available2024-05-23T02:22:14Z-
dc.date.issued2014-
dc.identifier.citation文化研究雙月報, 2014年, 第146期, 第28-33頁.en_US
dc.identifier.issn2076-2755-
dc.identifier.urifile:///C:/Users/libsltse/Downloads/%E6%B7%BA%E8%BF%B0%E9%9B%BB%E5%BD%B1%E4%B8%AD%E5%BE%A9%E4%BB%87%E5%85%83%E7%B4%A0%EF%BC%9A%E4%B8%80%E9%A0%93%E7%86%B1%E9%A3%AF%E8%88%87%E5%BE%A9%E4%BB%87%E5%88%B0%E5%BA%95%E6%9C%89%E5%A4%9A%E9%81%A0%E7%9A%84%E8%B7%9D%E9%9B%A2.pdf-
dc.identifier.urihttp://hdl.handle.net/20.500.11861/10034-
dc.description.abstract古典劇作理論常言以沖突為主要元素,眾多沖突形式中,復仇所營造劇情之起伏跌宕,其力度強而複雜,流於煽動,也易於牽引觀眾情緒.電影作為一種故事的表述形式,自然常以復仇為主要題材;誠如電影評論家Howard Suber所言,復仇包含了戲劇所需要的元素,這是明確和簡單的.en_US
dc.language.isozhen_US
dc.relation.ispartof文化研究雙月報en_US
dc.title淺述電影中復仇元素: 一頓熱飯與復仇到底有多遠的距離en_US
dc.typePeer Reviewed Journal Articleen_US
item.fulltextNo Fulltext-
crisitem.author.deptDepartment of Journalism & Communication-
Appears in Collections:Journalism & Communication - Publication
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