Please use this identifier to cite or link to this item:
http://hdl.handle.net/20.500.11861/10034
DC Field | Value | Language |
---|---|---|
dc.contributor.author | 林援森博士 | en_US |
dc.date.accessioned | 2024-05-23T02:22:14Z | - |
dc.date.available | 2024-05-23T02:22:14Z | - |
dc.date.issued | 2014 | - |
dc.identifier.citation | 文化研究雙月報, 2014年, 第146期, 第28-33頁. | en_US |
dc.identifier.issn | 2076-2755 | - |
dc.identifier.uri | file:///C:/Users/libsltse/Downloads/%E6%B7%BA%E8%BF%B0%E9%9B%BB%E5%BD%B1%E4%B8%AD%E5%BE%A9%E4%BB%87%E5%85%83%E7%B4%A0%EF%BC%9A%E4%B8%80%E9%A0%93%E7%86%B1%E9%A3%AF%E8%88%87%E5%BE%A9%E4%BB%87%E5%88%B0%E5%BA%95%E6%9C%89%E5%A4%9A%E9%81%A0%E7%9A%84%E8%B7%9D%E9%9B%A2.pdf | - |
dc.identifier.uri | http://hdl.handle.net/20.500.11861/10034 | - |
dc.description.abstract | 古典劇作理論常言以沖突為主要元素,眾多沖突形式中,復仇所營造劇情之起伏跌宕,其力度強而複雜,流於煽動,也易於牽引觀眾情緒.電影作為一種故事的表述形式,自然常以復仇為主要題材;誠如電影評論家Howard Suber所言,復仇包含了戲劇所需要的元素,這是明確和簡單的. | en_US |
dc.language.iso | zh | en_US |
dc.relation.ispartof | 文化研究雙月報 | en_US |
dc.title | 淺述電影中復仇元素: 一頓熱飯與復仇到底有多遠的距離 | en_US |
dc.type | Peer Reviewed Journal Article | en_US |
item.fulltext | No Fulltext | - |
crisitem.author.dept | Department of Journalism & Communication | - |
Appears in Collections: | Journalism & Communication - Publication |
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