傅承洲教授2018-10-232018-10-232010河北學刊, 2010, 第5期, 第90-95頁.1003-7071http://hdl.handle.net/20.500.11861/5362從創作主體的角度來看,中國古代白話小說大體經過了三個階段,呈現出不同的嬗變特徵: 宋元時期是說話藝人 講述,文人或書坊主記錄整理階段,宋元話本較多反映市民的生活與情感,按時序講述一些充滿奇異色彩的故事; 元末明初至明中葉是文人在藝人講述的基礎上,吸收史書戲曲的人物與情節進行重寫階段,作家喜愛選取那些創作基礎較好的重大題材進行再創作,其思想觀念多來自前人作品與歷史積蓄,章回小說常採用綴玉式結構; 明末至清中葉時期,文人作家開始獨立創作白話小說,作家從自己的人生經驗中取材,寫熟悉的人物和發生在身邊的事件,筆下人物與現實中人一樣真實與複雜.<br> Ancient China＇s colloquial stories underwent three stages in the perspective of author． In the Song and Yuan dynasties，the story was told by the story － teller and improved by literary men，which was full of the urban life and feelings as well as fantastic colors． From the end of the Yuan dynasty to the middle of the Ming dynasty，literary men rewrote some stories on the basis of historical books，drama characters and plots，whose ideas mostly came from the former works and history． From the end of the Ming dynasty to the middle of the Qing dynasty，literary writers began to write their own stories from their own life experiences，whose events and characters were as real as those in reality．zh-CN古代白話小說創作主體嬗變Ancient China’s Colloquial StoriesAuthorGradual ChangesPeer Reviewed Journal Article