許建業博士2026-06-292026-06-292025勵耘學刊, 2025年, 第1輯, 總第41輯, 第138-154; 314-315頁.9787522856001http://hdl.handle.net/20.500.11861/27810晚明復古思潮的起伏,加上活躍的出版文化,致使當時出現了獨特的詩學知識處理路徑——彙編式唐詩選本.當中較突出者有"唐詩合選""唐詩廣選""唐詩三集編""彙編唐詩十集""增定唐詩正聲"等.這些選本的編刊者主要以當世流行的權威選本為彙編對象,包括"唐音""唐詩正聲""唐詩選""唐詩歸"等.彙編者大多出於對這些選本的推奉承襲,或嘗試修正調和,甚至肆意挪藉以圖利.在一個不同選本交會的文本空間裡,既實現了"選本內的選本批評",其於經典作品的範圍界劃,品類標識以至引評論議等,更大大豐富了鑑賞與詮釋的方式.<br> The oscillation of revivalist trends in the late Ming Dynasty,coupled with an active publishing culture,gave rise to a distinctive approach to poetic knowledge—the compilation of Tang poetry anthologies.Notable examples include Tangshi Hexuan,Tangshi Guangxuan,Tangshi Sanji Hebian,Huibian Tangshi Shiji,and Zengding Tangshi Zhengsheng,etc.The compilers of these anthologies primarily drew upon the authoritative collections of their time,such as Tang Yin,Tangshi Zhengsheng,Tangshi Xuan,and Tangshi Gui,etc.These compilers often engaged with these authoritative anthologies in various ways—through reverent adherence,corrective revision,or even opportunistic appropriation for personal gain.Within the textual space where different anthologies intersect,this practice not only fostered a form of“anthology criticism within anthologies”,but also greatly enriched methods of appreciation and interpretation by delineating classical works,categorizing them,and initiating commentary.zh-CN彙編式選本唐音唐詩正聲唐詩選唐詩歸Compilation of AnthologiesTang YinTangshi ZhengshengTangshi XuanTangshi GuiPeer Reviewed Journal Article