Please use this identifier to cite or link to this item:
http://hdl.handle.net/20.500.11861/6303| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Dr. BALE Rebekah | en_US |
| dc.date.accessioned | 2021-02-19T05:51:27Z | - |
| dc.date.available | 2021-02-19T05:51:27Z | - |
| dc.date.issued | 2017 | - |
| dc.identifier.uri | https://shakespeare.edel.univ-poitiers.fr:443/shakespeare/index.php?id=1098 | - |
| dc.identifier.uri | http://hdl.handle.net/20.500.11861/6303 | - |
| dc.description.abstract | This paper discusses two post-colonial adaptations of Shakespeare by playwrights from the Republic of Congo. The Hamlet adaptation focuses on Gertrude as a product of forced marriage and the role of spirits in Kongo society. The adaptation of Romeo and Juliet is a radical re-working of the tragedy to highlight the political and violent nature of the post-independence African society. | en_US |
| dc.language.iso | en | en_US |
| dc.title | “Un théâtre d’intervention”: Two Congolese adaptations of Shakespeare | en_US |
| dc.type | Other Article | en_US |
| item.fulltext | No Fulltext | - |
| crisitem.author.dept | Department of English Language and Literature | - |
| Appears in Collections: | English Language & Literature - Publication | |
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